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RESIDENCIES: Try Outs
(Year 2)
1
.
KAYA - every time the sun comes up
(
Aug 2
—
Sep 1
,
24
)
2
.
Sommerfuglens Forbandelse
(
Oct 4
—
Nov 1
,
24
)
3
.
Se havet som kulisse, som et cellofanhav, som en elefant, som din mave spist af en krokodille og begravet under et træ, som en shaman, som en scene
(
Nov 7
—
Dec 15
,
24
)
4
.
Love in Relief
(
Feb 7
—
Mar 16
,
25
)
5
.
Belly Belly Bread
(
Mar 26
—
May 11
,
25
)
6
.
The Danish Pavilion at the Gaza Biennale
(
Jun 7
—
Aug 24
,
25
)
All all all
Letters
About
RESIDENCIES: Læderstræde (Year 1)
1
.
Time Losers
(
Sep 9
—
Oct 15
,
22
)
2
.
Mapping the Displaced
(
Nov 4
—
Dec 17
,
22
)
3
.
No Core
(
Jan 13
—
Feb 18
,
23
)
4
.
أخْتَفو وَراءْ ألشَمْس (They Disappeared Behind the Sun)
(
Mar 10
—
Apr 21
,
23
)
5
.
Picnic at Flatlands
(
May 5
—
Jun 17
,
23
)
All all all is a processual and residency-based exhibition platform that wishes to challenge ideas of the finished art product and facilitate interdisciplinary collaborations.
Is NOW:
The Danish Pavilion at the Gaza Biennale
by
(
Jun 7
—
Aug 24
,
25
)
All all all presents the Danish Pavilion at the Gaza Biennale. As part of the international and communal exhibition project the Gaza Biennale—a global initiative unfolding across multiple countries—All all all presents the project’s unfolding in Denmark. The Danish Pavilion opens with artists Jehad Jarbou, Yasmeen Al Daya, Ghanem Al-Din, and Aya Jouha on June 7 and runs until August 24.
Previously:
Belly Belly Bread
by
Hedda Bauer
(
Mar 26
—
May 11
,
25
)
Hedda Bauer's project, 'Belly Belly Bread', is a micro opera in two acts. It's a work exploring the drama of divas, the exaggerated expressions of Greek tragedy, and the roles of 1950s mothers and grandmothers in the home.
Love in Relief
by
Ville Laurinkoski
(
Feb 7
—
Mar 16
,
25
)
With 'Love in Relief', artist Ville Laurinkoski explores the performative gesture through the concept of "backstage" which functions both as a physical frame and an allegorical examination of the social economy in queer culture, where affective labour is often carried out behind the scenes.
Se havet som kulisse, som et cellofanhav, som en elefant, som din mave spist af en krokodille og begravet under et træ, som en shaman, som en scene
by
Zahna Siham Benamor
(
Nov 7
—
Dec 15
,
24
)
Zahna Siham Benamor's exhibition project 'Se havet som kulisse, som et cellofanhav, som en elefant, som din mave spist af en krokodille og begravet under et træ, som en shaman, som en scene' marks her first solo exhibition, which forms the structure for two performances, functioning as two acts of the same show, where she embodies an exaggerated shamanic figure, performing a surreal fable about her own destiny.
Sommerfuglens Forbandelse
by
Nynne Roberta Pedersen Pedersen and Lasse B. Ondesen
(
Oct 4
—
Nov 1
,
24
)
‘Sommerfuglens Forbandelse’ by Nynne Roberta Pedersen Pedersen and Lasse B. Ondesen is the second exhibition and show series in All all all Tryouts. For ‘Sommerfuglens Forbandelse’ Pedersen Pedersen and B. Ondesen, together with a grand ensemble, have created a film based on poet Federico García Lorca’s play ‘The butterfly’s evil Spell’ - “an incredible story about not loving labour but loving poetry and understanding that both cockroaches and humans need love for each other if life is to continue”. During the exhibition period the film will screen and each week, each act of the play will premiere.
KAYA - every time the sun comes up
by
Paolo de Venecia Gile
(
Aug 2
—
Sep 1
,
24
)
With Paolo de Venecia Gile's performance triptych 'KAYA - everytime the sun comes up', All all all initiates its second exhibition programme Tryouts. In Tryouts, All all all becomes a small theatre that investigates the performative gesture through a series of shows. Gile's three-part performance unfolds as a poetic translation of their interest in and research on internet culture, viral dances, Southeast Asian shamanism, and Nordic mythology. Switching between manifesting spaces of individuality and community, the artist tries to employ healing through choreography, club culture and folk dance.
Picnic at Flatlands
by
Erdal Bilici
(
May 5
—
Jun 17
,
23
)
All all all presents its fifth residency exhibition, artist Erdal Bilici’s Picnic at Flatlands. Through three main elements – a print work, a video work and an installation hidden through a cellar door under Kunstforeningen Gl STRAND’s backhouse – the exhibition investigates movements and overlaps between the domestic and the ’wild’, public and private space, the hidden vs. the visible and our sense of ownership over nature. The project is the last one in All's first year programme.
أخْتَفو وَراءْ ألشَمْس (They Disappeared Behind the Sun)
by
Ihsan Saad Ihsan Tahir
(
Mar 10
—
Apr 21
,
23
)
Ihsan Saad Ihsan Tahir’s first solo show أخْتَفو وَراءْ ألشَمْس (They Disappeared Behind the Sun) is a painterly examination of cultural exchange and masculinity, written language and spoken language, the translation of the two and the experience of voicelessness in this process. The project first took form across two trips he made in the fall of 2022; one into the glittering and diverse fellowship of the Los Angeles art scene, and one to meet his family for the first time in Baghdad, Iraq, where he upon arrival had lost his voice. It now continues in the rooms in All.
No Core
by
Julie Falk
(
Jan 13
—
Feb 18
,
23
)
On January 13th 2023 All all all opens with the exhibition No Core by Julie Falk. The exhibition is the third in a series of five media-based processual shows, and investigates the artist's self in crises, through abstract sculpture.
Mapping the Displaced
by
Sidsel Ana Welden Gajardo and Melodi Soltani
(
Nov 4
—
Dec 17
,
22
)
All all all presents Mapping the displaced by Danish/ Chilean writer and artist Sidsel Ana Welden Gajardo and Call Center for the displaced an artistic alliance with Iranian musician Melodi Soltani. The exhibition is the second in a series of five media-based exhibitions and it explores language and translation from a transcontinental diasporic perspective.
Time Losers
by
Hilma Bäckström and Freja Gøtke
(
Sep 9
—
Oct 15
,
22
)
For All all alls opening exhibition artists Gøtke and Bäckström will build a total installation bar, out of found and gathered reflective materials, a room within the exhibition room, functioning as a meeting place between audiences and artists, humans and objects. In the bar they serve drinks and elaborate desserts, and orchestrate social events that invite the public to participate.